Sometimes, Easter comes a little too soon.
While in high school, I played Jesus in the school musical. The show was not one of the usual Jesus ones. This one was Cotton Patch Gospel by the excellent Harry Chapin, and in it, Jesus heads to Atlanta rather than Jerusalem; talks about eating grits rather than bread; and prays that God might “spitball me Lord over the home plate of life.”
I enjoyed the experience of acting as of the Son of God. Whenever someone exclaimed ‘Jesus!’ in the day-to-day gauntlet of high school, I’d respond: Yes? It always made us laugh in the midst of the terribly anxious time that is high school—high school was hard for us, with friends who struggled with self-harm, all the usual worrying about the future, and more. The show itself was a wonderful project, full of music and dancing and silliness and the good kind of high school drama. Everyone formed that wonderful temporary community that high school theater allows. The whole thing was so full, so busy. I relished the strange job of imagining what Jesus thought and felt.
But in the whole of the show, the only time I ever truly felt connected to Jesus, something mystic, was when Jesus was dead. In the precious minute or two between being crucified on stage, and needing to jump up for a resurrection appearance, there was a brief narrative lull. For a minute or two, I was put in a box out of everyone’s sight. The sides of the box quieted the noise, the lights dimmed, and every time, I felt close to Jesus.
I wondered: how did Jesus feel, lying in a tomb?
After all the everything that is his last week, did the hard stone feel like the pillow he needed?
What was it like to wake up?
How did he feel about his friends, who also struggled with self-harm and who worried about the future?
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